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搜索"return to the end"找到的小说 (P1)

《The Notebook》 / 尼古拉斯·斯帕克斯 / 英文

...46, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to ...

《The Notebook》 / 尼古拉斯·斯帕克斯 / 英文

...46, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to ...

《The Notebook》 / 尼古拉斯·斯帕克斯 / 英文

...46, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to ...

《The Notebook》 / 尼古拉斯·斯帕克斯 / 英文

...46, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to ...

《The Poetry of Pablo Neruda》 / 巴勃罗·聂鲁达 / 英文

...agery to describe woman, and in his conception of woman as a vehicle for a return to Nature. In these richly sensual poems, the style is still on the whole modern Romantic with symbolist overtones and the first few hints of the newer, more disturbing poetic styles. Yet they remain constructive poems...

《The Poetry of Pablo Neruda》 / 巴勃罗·聂鲁达 / 英文

...agery to describe woman, and in his conception of woman as a vehicle for a return to Nature. In these richly sensual poems, the style is still on the whole modern Romantic with symbolist overtones and the first few hints of the newer, more disturbing poetic styles. Yet they remain constructive poems...

《The Poetry of Pablo Neruda》 / 巴勃罗·聂鲁达 / 英文

...agery to describe woman, and in his conception of woman as a vehicle for a return to Nature. In these richly sensual poems, the style is still on the whole modern Romantic with symbolist overtones and the first few hints of the newer, more disturbing poetic styles. Yet they remain constructive poems...

《The Poetry of Pablo Neruda》 / 巴勃罗·聂鲁达 / 英文

...agery to describe woman, and in his conception of woman as a vehicle for a return to Nature. In these richly sensual poems, the style is still on the whole modern Romantic with symbolist overtones and the first few hints of the newer, more disturbing poetic styles. Yet they remain constructive poems...

《爱心树》 / 谢尔·希尔弗斯坦 / 寓言

One day, the boy returned and the tree was so excited. 'Come and play with me' the tree said. 'I don't have time to play. I have to work for family. We need a house for shelter. Can you help me?' 'Sorry, but I don't have a house. But you can chop off my branches to build your house.' So the boy cut ...

《爱心树》 / 谢尔·希尔弗斯坦 / 寓言

One day, the boy returned and the tree was so excited. 'Come and play with me' the tree said. 'I don't have time to play. I have to work for family. We need a house for shelter. Can you help me?' 'Sorry, but I don't have a house. But you can chop off my branches to build your house.' So the boy cut ...

《爱心树》 / 谢尔·希尔弗斯坦 / 寓言

One day, the boy returned and the tree was so excited. 'Come and play with me' the tree said. 'I don't have time to play. I have to work for family. We need a house for shelter. Can you help me?' 'Sorry, but I don't have a house. But you can chop off my branches to build your house.' So the boy cut ...

《爱心树》 / 谢尔·希尔弗斯坦 / 寓言

One day, the boy returned and the tree was so excited. 'Come and play with me' the tree said. 'I don't have time to play. I have to work for family. We need a house for shelter. Can you help me?' 'Sorry, but I don't have a house. But you can chop off my branches to build your house.' So the boy cut ...

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